Do you need a writing break?
Posted in Improve your Writing Memoir

Author Toolbox: Do You Need A Writing Break?

Sometimes you just have to take a break from your writing in order to open those creative gates.

Writers Have Secrets. IWSG June Prompt
Posted in Character Memoir Plot

IWSG: Writers Have Secrets!

IWSG June Writing Prompt: Writers have secrets! What are one or two of yours, something readers would never know from your work?

Writing Your Memoir's Premise
Posted in Character Memoir Plot Theme

Author Toolbox: Writing your Memoir’s Premise

This article is about writing a premise for your memoir, but the same steps can be used to create a…

What's the difference between your Memoir's Story and Theme?
Posted in Memoir Theme

What’s the difference between your Memoir’s Story and Theme?

A brief explanation about the difference between your Memoir’s Story and Theme, with a few theme examples.

A Messy business of writing a memoir
Posted in Memoir

Writing a Memoir is a Messy Business

Are you struggling with your memoir? Don’t worry, you’re not along. In my writing diary I tell you what a messy business it is.

Reading a book with glasses
Posted in Memoir Plot

Anchoring your Memoir’s Plot

A collection of books to help you structure your memoir. From KM Weiland and Save the Cat.

Reedsy Quiz theme from synopsis
Posted in Memoir Theme

Can you identify a story’s theme from its synopsis?

Try this Reedsy quiz to see if you can identify a story’s theme from its synopsis. Plus additional Theme resources.

showing vs. telling
Posted in Character Improve your Writing Memoir Show vs. Tell

How and Why to Express Emotion as Action in your Memoir

Reader will connect with you in your memoir when you show rather than tell them about the emotions you’re experiencing.

Character Arc in your Memoir
Posted in Character Memoir Plot

My Outline for a Positive Change Arc Memoir

An example of how to use Michael Hauge’s 6-stage plot structure to write your outline.

THE BLAKE SNYDER BEAT SHEET (aka BS2) • Opening Image – A visual that represents the struggle & tone of the story. A snapshot of your problem, before the adventure begins. • Set-up – Expand on the “before” snapshot. Present the main character’s world as it is, and what is missing in their life. • Theme Stated (happens during the Set-up) – What your story is about; the message, the truth. Usually, it is spoken to the main character or in their presence, but they don’t understand the truth…not until they have some personal experience and context to support it. • Catalyst – The moment where life as it is changes. It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc. The “before” world is no more, change is underway. • Debate – But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take. Can I face this challenge? Do I have what it takes? Should I go at all? It is the last chance for the hero to chicken out. • Break Into Two (Choosing Act Two) – The main character makes a choice and the journey begins. We leave the “Thesis” world and enter the upside-down, opposite world of Act Two. • B Story – This is when there’s a discussion about the Theme – the nugget of truth. Usually, this discussion is between the main character and the love interest. So, the B Story is usually called the “love story”. • The Promise of the Premise – This is when Craig Thompson’s relationship with Raina blooms, when Indiana Jones tries to beat the Nazis to the Lost Ark, when the detective finds the most clues and dodges the most bullets. This is when the main character explores the new world and the audience is entertained by the premise they have been promised. • Midpoint – Dependent upon the story, this moment is when everything is “great” or everything is “awful”. The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”). But not everything we think we want is what we actually need in the end. • Bad Guys Close In – Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates. • All is Lost – The opposite moment from the Midpoint: “awful”/“great”. The moment that the main character realizes they’ve lost everything they gained, or everything they now have has no meaning. The initial goal now looks even more impossible than before. And here, something or someone dies. It can be physical or emotional, but the death of something old makes way for something new to be born. • Dark Night of the Soul – The main character hits bottom, and wallows in hopelessness. The Why hast thou forsaken me, Lord? moment. Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc. But, you must fall completely before you can pick yourself back up and try again. • Break Into Three (Choosing Act Three) – Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again. • Finale – This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story. Act Three is about Synthesis! • Final Image – opposite of Opening Image, proving, visually, that a change has occurred within the character.
Posted in Character Memoir Plot Theme

Six Stage Plot Structure for a Positive Change Memoir

Using Michael Hauge’s Six Stage Plot Structure I’ve created a template for a 3 act memoir with a positive change arc